{"id":1301,"date":"2019-01-08T11:16:30","date_gmt":"2019-01-08T11:16:30","guid":{"rendered":"http:\/\/localhost\/Exhibz\/?page_id=1301"},"modified":"2026-09-02T20:03:34","modified_gmt":"2026-09-02T20:03:34","slug":"speakers","status":"publish","type":"page","link":"https:\/\/gamedevday.hu\/en\/speakers\/","title":{"rendered":"Speakers"},"content":{"rendered":"
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Speakers<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Our speakers come from many different disciplines within game development to share insights into their work, processes and the most exciting challenges in the industry at Game Dev Day.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t \"\"\n\t\t\t\t\t \n <\/i>\n <\/a>\n <\/div>\n
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\n Louise Marchant <\/a>\n <\/h3>\n

\n\t\t\t\t\t\tStudio Brand Director, Ubisoft <\/p>\n <\/div>\n \n \n

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Louise Marchant <\/a>\n <\/h3>\n Studio Brand Director, Ubisoft<\/span>\n\t\t\t\t\t\t\t\t \"\"\n\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\tLouise Marchant<\/strong> is a Studio Brand Director at Ubisoft, where she leads marketing and brand strategy for new game projects. Over nearly two decades in the games industry, she has directed campaigns for a host of major franchises including Assassin's Creed, Just Dance, and Tom Clancy's The Division, and led player insight and engagement for a broad spectrum of projects, from early development through to live service. She specialises in working with development teams to bring player perspective to the centre of development, and using a player-centric approach to guide strategic and creative decision-making. She is also a Committee Lead for Limit Break Mentorship, supporting career development in the UK games industry.\r\n\r\nTalk:<\/strong> From Conception to Community: Putting Player Perspective at the Centre of Game Development\r\n

How can the player perspective be incorporated from the very first day of development in a way that supports, rather than overwhelms, the creative vision?<\/p>\r\n

This talk explores how player awareness can become a shared and effective tool for developers and marketers alike, regardless of the size of the project. We will examine how player-value-driven positioning can support both creative and strategic decision-making, and how community feedback can be integrated without compromising the game\u2019s original vision.<\/p>\r\nA practical guide from concept development to community building, with the player experience at the very heart of the process. <\/p>\n

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\n Koz\u00e1k Tam\u00e1s <\/a>\n <\/h3>\n

\n\t\t\t\t\t\tAlap\u00edt\u00f3 \u00e9s \u00dcgyvezet\u0151, Invictus <\/p>\n <\/div>\n \n \n

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Koz\u00e1k Tam\u00e1s <\/a>\n <\/h3>\n Alap\u00edt\u00f3 \u00e9s \u00dcgyvezet\u0151, Invictus<\/span>\n\t\t\t\t\t\t\t\t \"\"\n\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\tKoz\u00e1k Tam\u00e1s<\/strong> is the founder and CEO of Invictus. Invictus is Hungary\u2019s oldest active game development studio, with its first game released in 1997. Since then, the studio has released more than 50 games across mobile, PC, PlayStation 5, Xbox and Nintendo Switch.\n\nTam\u00e1s has worked in business development for over 20 years and has built an extensive network of professional contacts across the games industry. Following a successful exit, he has returned to his roots as an indie game developer, working once again at Invictus.\r\n\r\nTalk:<\/strong> P\u00e9nz szerz\u00e9se a j\u00e1t\u00e9k\u00f6tleted kifejleszt\u00e9s\u00e9re (szigor\u00faan indie fejleszt\u0151knek!)\r\n\r\nT\u0151keszerz\u00e9s indie m\u00f3dra: hogyan gy\u0151zd meg a finansz\u00edroz\u00f3kat a j\u00e1t\u00e9kodr\u00f3l? Az el\u0151ad\u00e1s kifejezetten a f\u00fcggetlen fejleszt\u0151k kih\u00edv\u00e1saira f\u00f3kusz\u00e1lva mutatja be a sikeres pitch elengedhetetlen elemeit \u2013 \u00e9s azokat a v\u00e9gzetes hib\u00e1kat, amiket mindenk\u00e9pp el kell ker\u00fcln\u00f6d a prezent\u00e1ci\u00f3 sor\u00e1n. <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n\t\t\n\n\t\t\t\n\t\t\t\n\t\t\t\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n Borsics J\u00f3zsef <\/a>\n <\/h3>\n

\n\t\t\t\t\t\tVezet\u0151 Game Designer, Outplay Entertainment <\/p>\n <\/div>\n \n \n

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Borsics J\u00f3zsef <\/a>\n <\/h3>\n Vezet\u0151 Game Designer, Outplay Entertainment<\/span>\n\t\t\t\t\t\t\t\t \"\"\n\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\tBorsics J\u00f3zsef<\/strong> az Outplay Entertainment vezet\u0151 game designere. T\u00f6bb mint 15 \u00e9ve dolgozik a videoj\u00e1t\u00e9k iparban, nev\u00e9hez t\u00f6bb, sok milli\u00f3s let\u00f6lt\u00e9s\u0171 mobilj\u00e1t\u00e9k f\u0171z\u0151dik. Lelkes game jammel\u0151, sz\u00f3l\u00f3 hobbi projektj\u00e9t egy \u00e9ve AI seg\u00edts\u00e9g\u00e9vel fejleszti.\r\n\r\nTalk: <\/strong>AI Vadnyugat \u2013 Ipari \u00e9s hobbi prototipiz\u00e1l\u00e1s mesters\u00e9ges intelligenci\u00e1val\r\n\r\nA mesters\u00e9ges intelligencia alkalmaz\u00e1sa a j\u00e1t\u00e9kiparban jelenleg a vadnyugatra hasonl\u00edt: nincsenek m\u00e9g k\u0151be v\u00e9sett szab\u00e1lyok, a keretek pedig napr\u00f3l napra form\u00e1l\u00f3dnak. De hogyan haszn\u00e1lhat\u00f3 az AI a gyakorlatban, a kezdeti sz\u00e1rnypr\u00f3b\u00e1lgat\u00e1sokon t\u00fal? Az el\u0151ad\u00e1s \u00e1tfog\u00f3 k\u00e9pet ad az AI j\u00e1t\u00e9kipari alkalmaz\u00e1s\u00e1r\u00f3l a piackutat\u00e1st\u00f3l \u00e9s a pitchingt\u0151l kezdve a grafik\u00e1n \u00e1t eg\u00e9szen a k\u00f3dol\u00e1sig. K\u00e9t konkr\u00e9t esettanulm\u00e1nyon kereszt\u00fcl vizsg\u00e1ljuk meg a technol\u00f3gia hat\u00e1rait: egyr\u00e9szt ipari k\u00f6rnyezetben, ahol feature-\u00f6k \u00e9s bels\u0151 eszk\u00f6z\u00f6k prototipiz\u00e1l\u00e1sa a c\u00e9l, m\u00e1sr\u00e9szt hobbi- \u00e9s game jam projektekben, ahol a fejleszt\u00e9s 100%-ban \u201evibe k\u00f3dol\u00e1ssal\u201d t\u00f6rt\u00e9nik. V\u00e9g\u00fcl pedig szemben\u00e9z\u00fcnk az ipar\u00e1gat legink\u00e1bb foglalkoztat\u00f3 k\u00e9rd\u00e9ssel: val\u00f3ban elveszi az AI a munk\u00e1nkat? <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n\t\t\n\n\t\t\t\n\t\t\t\n\t\t\t\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n Moln\u00e1r D\u00e1niel <\/a>\n <\/h3>\n

\n\t\t\t\t\t\tSenior Producer, Team17 <\/p>\n <\/div>\n \n \n

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Moln\u00e1r D\u00e1niel <\/a>\n <\/h3>\n Senior Producer, Team17<\/span>\n\t\t\t\t\t\t\t\t \"\"\n\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\tMoln\u00e1r D\u00e1niel<\/strong> 10 \u00e9ve dolgozik a j\u00e1t\u00e9kiparban, ebb\u0151l 4 \u00e9ve kiad\u00f3i oldalon. P\u00e1lyafut\u00e1s\u00e1t indie projekteken kezdte, majd Angli\u00e1ba k\u00f6lt\u00f6z\u00e9se ut\u00e1n a Supermassive Gamesn\u00e9l \u00e9s a Splash Damage-n\u00e9l dolgozott, \u00edgy a kis f\u00fcggetlen csapatokt\u00f3l eg\u00e9szen 400 f\u0151s st\u00fadi\u00f3ig k\u00fcl\u00f6nb\u00f6z\u0151 j\u00e1t\u00e9kfejleszt\u0151i k\u00f6rnyezetekben szerzett tapasztalatot. Jelenleg a Team17 Senior Producere, ahol k\u00fcls\u0151 partnerek j\u00e1t\u00e9kain \u00e9s saj\u00e1t IP-ken dolgozik. Fejleszt\u0151i \u00e9s kiad\u00f3i h\u00e1tter\u00e9nek k\u00f6sz\u00f6nhet\u0151en mindk\u00e9t n\u00e9z\u0151pontb\u00f3l j\u00f3l ismeri a j\u00e1t\u00e9kfejleszt\u00e9s \u00e9s -kiad\u00e1s kih\u00edv\u00e1sait.\r\n\r\nTalk:<\/strong> K\u00e9rd\u0151\u00edv, J\u00e1t\u00e9k, Kock\u00e1zat: Hogyan m\u00e9ri fel egy producer, mire v\u00e1llalkozik a kiad\u00f3?\r\n\r\nEgy j\u00f3 pitch felkeltheti egy kiad\u00f3 \u00e9rdekl\u0151d\u00e9s\u00e9t, de hogyan der\u00fcl ki, hogy mire lesz sz\u00fcks\u00e9g a j\u00e1t\u00e9k elk\u00e9sz\u00edt\u00e9s\u00e9hez \u00e9s sikeres megjelentet\u00e9s\u00e9hez? Az el\u0151ad\u00e1s produceri szemmel mutatja be a Publishing Production Due Diligence folyamat\u00e1t: milyen k\u00e9rd\u00e9seket tesz fel egy kiad\u00f3 a fejleszt\u0151csapatnak, hogyan azonos\u00edtja a projekt t\u00e1mogat\u00e1si ig\u00e9nyeit, k\u00f6lts\u00e9geit \u00e9s kock\u00e1zatait, valamint hogyan lesz mindebb\u0151l megalapozott \u00fczleti d\u00f6nt\u00e9s. Emellett sz\u00f3 lesz arr\u00f3l is, miben tud val\u00f3di seg\u00edts\u00e9get ny\u00fajtani egy kiad\u00f3 a finansz\u00edroz\u00e1son t\u00fal. <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n\t\t\n\n\t\t\t\n\t\t\t\n\t\t\t\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n Nagy R\u00f3bert <\/a>\n <\/h3>\n

\n\t\t\t\t\t\tEngine Programoz\u00f3, Gaijin Entertainment <\/p>\n <\/div>\n \n \n

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Nagy R\u00f3bert <\/a>\n <\/h3>\n Engine Programoz\u00f3, Gaijin Entertainment<\/span>\n\t\t\t\t\t\t\t\t \"\"\n\t\t\t\t\t\t\t\t

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Nagy R\u00f3bert 23 \u00e9ve engine programoz\u00f3, dolgozott az IO Interactive, Stormregion, Most Wanted, Primal, Neocore, Gaijin mindenf\u00e9le m\u0171faj\u00fa j\u00e1t\u00e9kain. Els\u0151sorban 3D grafik\u00e1val foglalkozik, de csin\u00e1lt m\u00e1r saj\u00e1t fizikai szimul\u00e1ci\u00f3kat \u00e9s egyed\u00fcl kis j\u00e1t\u00e9kokat is. Szabadidej\u00e9ben k\u00fcl\u00f6nb\u00f6z\u0151 szoftveres renderel\u0151ket fejleszt \u00e9s a vide\u00f3j\u00e1t\u00e9kok t\u00f6rt\u00e9nelm\u00e9t kutatja.<\/p>\r\n

Talk:<\/strong> Poligon raszteriz\u00e1l\u00e1s<\/p>\r\n

A modern vide\u00f3j\u00e1t\u00e9kok l\u00e1tv\u00e1nyvil\u00e1ga m\u00f6g\u00f6tt a poligon raszteriz\u00e1l\u00e1s komplex \u00e9s prec\u00edz folyamata \u00e1ll, amely az \u00e9vtizedek sor\u00e1n a szoftveres renderel\u00e9st\u0151l a c\u00e9lszersz\u00e1mk\u00e9nt m\u0171k\u00f6d\u0151 GPU-kig fejl\u0151d\u00f6tt. Ez az el\u0151ad\u00e1s a 3D-s grafika alapjai m\u00f6g\u00e9 enged betekint\u00e9st: v\u00e9gigk\u00f6vetj\u00fck a renderel\u00e9si cs\u0151vezet\u00e9k (pipeline) \u00e1llom\u00e1sait a hardveres \u00e9s szoftveres k\u00f6rnyezet k\u00f6lcs\u00f6nhat\u00e1s\u00e1ban. Sz\u00f3 lesz a legfontosabb algoritmusokr\u00f3l, a m\u00f6g\u00f6tt\u00fck rejl\u0151 matematikai \u00e9s fizikai sz\u00e1m\u00edt\u00e1sokr\u00f3l, valamint azokr\u00f3l a kritikus optimaliz\u00e1ci\u00f3s elj\u00e1r\u00e1sokr\u00f3l, amelyek lehet\u0151v\u00e9 teszik a val\u00f3s idej\u0171, magas k\u00e9pkockasz\u00e1m\u00fa megjelen\u00edt\u00e9st. N\u00e9lk\u00fcl\u00f6zhetetlen m\u00e9lyf\u00far\u00e1s minden fejleszt\u0151nek, akit \u00e9rdekel a k\u00e9perny\u0151n megjelen\u0151 pixelek m\u00f6g\u00f6tti re\u00e1lis m\u00e9rn\u00f6ki munka.<\/p> <\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t <\/div>\n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n <\/div>\n \n\t\t\n\n\t\t\t\n\t\t\t\n\t\t\t\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n S\u00e1ndor Oliv\u00e9r <\/a>\n <\/h3>\n

\n\t\t\t\t\t\tGame Lead, Futureplay Games <\/p>\n <\/div>\n \n \n

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S\u00e1ndor Oliv\u00e9r <\/a>\n <\/h3>\n Game Lead, Futureplay Games<\/span>\n\t\t\t\t\t\t\t\t \"\"\n\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\tS\u00e1ndor Oliv\u00e9r<\/strong> t\u00f6bb mint 12 \u00e9ve dolgozik a j\u00e1t\u00e9kiparban. P\u00e1lyafut\u00e1sa sor\u00e1n a QA-t\u00f3l a game designon \u00e1t a product managementig t\u00f6bb ter\u00fcleten is dolgozott, jelenleg pedig game leadk\u00e9nt vezeti a Merge Gardens fejleszt\u00e9s\u00e9t a finn Futureplay Gamesn\u00e9l. Munk\u00e1j\u00e1ban a kreat\u00edv, \u00fczleti \u00e9s adatvez\u00e9relt szempontokat kapcsolja \u00f6ssze.\r\n\r\nTalk: <\/strong>Between Hype and Denial \u2013 AI in the Everyday Life of a Development Team\r\n\r\nT\u00e9m\u00e1k:<\/strong>\r\n